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		<title>How to Build a Lagoon with Just a Bottle of Wine?</title>
		<link>http://designnews.co.za/how-to-build-a-lagoon-with-just-a-bottle-of-wine/</link>
		<comments>http://designnews.co.za/how-to-build-a-lagoon-with-just-a-bottle-of-wine/#comments</comments>
		<pubDate>Wed, 02 Oct 2019 14:15:04 +0000</pubDate>
		<dc:creator><![CDATA[Design News]]></dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[artists in cape town]]></category>
		<category><![CDATA[artists in south africa]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[Ed Suter]]></category>
		<category><![CDATA[Fly-overs and Drive-bys]]></category>
		<category><![CDATA[Karen Stewart]]></category>
		<category><![CDATA[lagos biennial]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[South Africa]]></category>
		<category><![CDATA[South African]]></category>

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		<description><![CDATA[South African artists Karen Stewart and Ed Suter were among the 38 selected artists chosen from 350 applications received for the second iteration of the Lagos Biennial entitled: “How to Build a Lagoon with Just a Bottle of Wine?” The Lagos Biennial 2 was touted by the New York Times as one of two international Biennials worth travelling for. The title was adapted from the poem, “A Song For Lagos” by the Nigerian writer Akeem Lasisi. The curators framed the title as a provocation for artists and the public to meditate on the history and present construction of a city’s built environment. According to the curators, the title conjures the impossible, and speaks to the city’s “can-do” spirit in the face of seemingly insurmountable social, political, and economic obstacles. The curatorial panel consists of Antawan I. Byrd, Tosin Oshinowo and Oyinda Fakeye whom come from diverse art backgrounds and have made significant contributions to the popularity and rise of contemporary African art internationally. The forthcoming biennial will take the city of Lagos as its epicenter and point of departure for a broader investigation on how contemporary artists, designers, and other creatives are responding to the challenges and possibilities of environments [...]]]></description>
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