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	<title>Design News &#187; Fine Art</title>
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		<title>Lorenzo Nassimbeni presents a new exhibition &#8216;Home&#8217; at City Soirée</title>
		<link>http://designnews.co.za/lorenzo-nassimbeni-presents-a-new-exhibition-home-at-city-soiree/</link>
		<comments>http://designnews.co.za/lorenzo-nassimbeni-presents-a-new-exhibition-home-at-city-soiree/#comments</comments>
		<pubDate>Wed, 23 Sep 2015 14:28:12 +0000</pubDate>
		<dc:creator><![CDATA[Design News]]></dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Cape Town]]></category>
		<category><![CDATA[city soiree]]></category>
		<category><![CDATA[coast]]></category>
		<category><![CDATA[distinct layers]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Home]]></category>
		<category><![CDATA[lorenzo nassimbeni]]></category>
		<category><![CDATA[ocean]]></category>
		<category><![CDATA[urban landscape]]></category>
		<category><![CDATA[water]]></category>

		<guid isPermaLink="false">http://designnews.co.za/?p=844</guid>
		<description><![CDATA[Lorenzo Nassimbeni’s new solo exhibition, entitled ‘Home’ represents a sort of return. Born and raised in Cape Town, the coast and oceanic element of the city are close to his heart. Currently living and working in Johannesburg, the artist chose to view the city of his origin through the lens of, for him, its most special component, the sea. Consistently working in a series of layers, in the architectural tradition, Nassimbeni has divided the exhibition into 3 distinct parts, all relating to the ocean. They are, the pure essence of water as a substance (surface), the lie of the land beneath the surface of the water (submerged), and the built form interacting with the edge of the coast (interface, eg. tidal pool). The body of work seeks to uncover Nassimbeni’s understanding of ocean as architectural element, and in so doing, realise the essence of home, through the extraction of essence, and subsequent exposition of spirit. Artist’s statement Lorenzo Nassimbeni’s creative work is characterized by its focus on the area where the disciplines of architecture and fine art meet. This is expressed by identifying, extracting and representing the artistic meaning within urban and landscape conditions. His portfolio reveals that the space [...]]]></description>
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		<title>Made the cut!</title>
		<link>http://designnews.co.za/galia-gluckman-exhibition-cape-town/</link>
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		<pubDate>Tue, 10 Mar 2015 13:29:42 +0000</pubDate>
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				<category><![CDATA[Art]]></category>
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		<category><![CDATA[cape town art exhibitions]]></category>
		<category><![CDATA[collage]]></category>
		<category><![CDATA[Cotton paper]]></category>
		<category><![CDATA[emotive themes]]></category>
		<category><![CDATA[Everard Read Gallery]]></category>
		<category><![CDATA[exhibitions]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Galia Gluckman]]></category>
		<category><![CDATA[March 12]]></category>
		<category><![CDATA[March 21]]></category>
		<category><![CDATA[mass production versus handcrafted]]></category>
		<category><![CDATA[order and chaos]]></category>
		<category><![CDATA[Penelope Stutterheime]]></category>
		<category><![CDATA[Pigment ink]]></category>
		<category><![CDATA[social conversations]]></category>

		<guid isPermaLink="false">http://designnews.co.za/?p=179</guid>
		<description><![CDATA[&#160; From 12 March 2015 artist Galia Gluckman makes her solo debut at the Everard Read Gallery Cape Town. Since joining the Everard Read in August 2014, Gluckman has taken part in two group exhibitions, this however will feature a new body of artworks to be shown in conversation with fellow Everard Read artist Penelope Stutterheime. The official opening of the exhibition will be at 18h30 on Thursday 12 March 2015. Gluckman will be doing an artist’s walkabout at the gallery on Saturday 21 March, from 11am till 1pm. Gluckman produces large-scale, multi-faceted artworks in her medium of choice: pigment ink on cotton paper and collage. These pieces reflect varied contemporary concerns. Gluckman highlights ongoing creative and social conversations through her exploration of atmospheric and emotive themes. Wide-ranging in their environmental and social references, they draw upon contemporary notions of the passage of time and also reference the creative subcultures of the global community. The viewer is invited to consider the dialogue surrounding mass production versus the handcrafted; oscillate between her abstraction of natural and man-made habitats; and follow her reflections on the tension between order and chaos. Galia Gluckman: The Early Years Born in 1973, Gluckman first qualified as a [...]]]></description>
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