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	<title>Design News &#187; Mandala No.2</title>
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		<title>willowlamp unveils two new award-winning designs &#8211; the Geometric Storm and Mandala No.2!</title>
		<link>http://designnews.co.za/willowlamp-designs-the-geometric-storm-and-mandala-no-2-cape-town/</link>
		<comments>http://designnews.co.za/willowlamp-designs-the-geometric-storm-and-mandala-no-2-cape-town/#comments</comments>
		<pubDate>Wed, 04 Mar 2015 07:25:31 +0000</pubDate>
		<dc:creator><![CDATA[Design News]]></dc:creator>
				<category><![CDATA[Décor]]></category>
		<category><![CDATA[100% Design South Africa]]></category>
		<category><![CDATA[Abstract Art]]></category>
		<category><![CDATA[Adam Hoets]]></category>
		<category><![CDATA[Cubism]]></category>
		<category><![CDATA[Geometric Storm]]></category>
		<category><![CDATA[Islamic geometry]]></category>
		<category><![CDATA[Mandala No.2]]></category>
		<category><![CDATA[The Mandala]]></category>
		<category><![CDATA[willowlamp]]></category>

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		<description><![CDATA[   Since its inception in 2005, willowlamp, with architect Adam Hoets at the reigns, has pioneered an innovative method of producing highly intricate and unique decorative lighting designs by attaching ball-chain to laser-cut steel frames, using geometry and nature’s &#8216;blueprint&#8217; as inspiration. The result is a vast collection of lampshades, pendants and chandeliers that can today be seen suspended from the ceilings of globally renowned hospitality, retail and commercial sites. Perpetually inspired, Hoets is evolving not only his existing designs, but his vision for future designs too. Latest to willowlamp’s collection, is the Mandala No.2 (a second edition to a previous design called The Mandala)  and the Geometric Storm limited edition that stemmed from fresh inspiration. The two chandeliers were revealed at the recent 100% Design South Africa where Adam Hoets won the Award for Best Lighting Design. The Mandala No.2 is an adapted version of The Mandala (a design Hoets developed for Southern Guild and launched at the Everaard Reed Gallery in 2012). Completely captivated by the intricacies of sacred geometry, Adam based the new design on sacred Islamic geometry. “I spent over 400 hours drawing and decoding Islamic patterns and geometry, until I nearly went mad. This, to [...]]]></description>
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