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	<title>Design News &#187; Tafadzwa Tega</title>
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		<title>Delete Nton’ntoni: Four artists propose a radical reset for contemporary art in Cape Town</title>
		<link>http://designnews.co.za/delete-ntonntoni-four-artists-propose-a-radical-reset-for-contemporary-art-in-cape-town/</link>
		<comments>http://designnews.co.za/delete-ntonntoni-four-artists-propose-a-radical-reset-for-contemporary-art-in-cape-town/#comments</comments>
		<pubDate>Thu, 06 Aug 2026 11:54:00 +0000</pubDate>
		<dc:creator><![CDATA[Design News]]></dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Delete Nton’ntoni]]></category>
		<category><![CDATA[Knowledge Marongedza]]></category>
		<category><![CDATA[Luyanda Mkhuthungu]]></category>
		<category><![CDATA[Lwando Dlamini]]></category>
		<category><![CDATA[Spier Arts Trust]]></category>
		<category><![CDATA[Tafadzwa Tega]]></category>

		<guid isPermaLink="false">http://designnews.co.za/?p=10930</guid>
		<description><![CDATA[A new group exhibition at Cape Town’s HUB Gallery challenges the culture of artistic individualism and asks what becomes possible when artists create in dialogue, rather than in isolation. HUB Gallery is pleased to present Delete Nton’ntoni, a new group exhibition by four contemporary artists, Tafadzwa Tega, Lwando Dlamini, Knowledge Marongedza and Luyanda Mkhuthungu and curated by Tafadzwa Tega, taking place from 6 August to 26 October. Delete Nton’ntoni is a deliberate interruption of the creative isolation that has increasingly characterised Cape Town’s contemporary art scene. The exhibition takes its name from two distinct sources. Nton’ntoni is an isiXhosa term meaning ‘and so forth’ or ‘something like that’, a phrase that speaks to habitual repetition, to the default mode of doing things without questioning. The second reference is the digital command Ctrl+Z, which serves as a symbol for deleting, rethinking and reimagining the systems and habits that no longer serve. Together, the title frames the exhibition’s central proposition: that the growing culture of individualism among Black African artists in Cape Town, while powerful in its own right, has also produced creative silos. Delete Nton’ntoni proposes a reset. A return to dialogue, shared presence, and collective creative practice that claps back [...]]]></description>
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		<title>Spier Arts Trust artist shines at the 1-54 Contemporary African Art Fair in London</title>
		<link>http://designnews.co.za/spier-arts-trust-artist-shines-at-the-1-54-contemporary-african-art-fair-in-london/</link>
		<comments>http://designnews.co.za/spier-arts-trust-artist-shines-at-the-1-54-contemporary-african-art-fair-in-london/#comments</comments>
		<pubDate>Tue, 11 Apr 2023 10:25:01 +0000</pubDate>
		<dc:creator><![CDATA[Design News]]></dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Cape Town]]></category>
		<category><![CDATA[Contemporary African art]]></category>
		<category><![CDATA[Gallery MOMO]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[Nando's]]></category>
		<category><![CDATA[Spier]]></category>
		<category><![CDATA[Spier Arts Trust]]></category>
		<category><![CDATA[Tafadzwa Tega]]></category>

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		<description><![CDATA[The zumbani flower – the bloom of the ‘wonder herb’ fevertea tree, Lippia javanica – is an important totem in the works of Zimbabwean artist Tafadzwa Tega, whose bold and colourful paintings, often coupled with intricate floral backgrounds inspired by the flower, delve into topics such as cultural identity, faith and customs, and the impact of migration and displacement. His brightly coloured portraits certainly stood out the 1-54 Contemporary African Art Fair in London in October last year, garnering positive responses from international art lovers and critics alike. Confession (2018) by Tafadzwa TegaOil paint on canvas1300 x 1600 mmNando’s UK collection The 1-54 Contemporary African Art Fair is the only international art fair dedicated to contemporary art from Africa and its diaspora. Nando&#8217;s and the Spier Arts Trust returned to the acclaimed fair in 2022 as sponsors, bringing Tega’s work to this international stage. Tega exhibited alongside 130 artists from 50 international galleries, including established artists such as Ibrahim El-Salahi, Hassan Hajjaj and South Africa’s own Zanele Muholi, and fellow newcomers Sola Olulode and Pedro Neves. &#160; Born in Harare, Tega obtained a diploma in Fine Art from the National Gallery of Zimbabwe in 2006, specialising in painting and sculpture, [...]]]></description>
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